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Film Analysis: Band Frontman Jason Williamson Takes On Character in Critical Look at 90s Rave Culture

Helmed by Portishead co-founder the musician-producer, this scabrous if undernourished first film casts a critical gaze on the ecstasy-fueled club scene. Venal drug user David (Marc Bessant) first robs an unconscious dealer, then in a later recollection tries to break into his own parents. Before you can say, he's overturned in the wreckage of his car in a forest – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward townies, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Darkly Funny Duel

Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to free himself from his seatbelt, while awkwardly transitioning into past scenes of his everyday life. The central theme – that the ecstasy generation were primarily out for themselves – is clearly conveyed. But these vignettes are too thin to adequately prepare us for what to expect when the Poacher turns up, enraged after David kills his dog. Nevertheless, a darkly funny duel takes hold – David desperate to escape; the Woodsman withholding his jerrycan of scrumpy, intent on soaking him instead in resentful talk. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Music Video Sensibility

There is only one key story turn, but it results in a comically executed chaotic run on the forest trails that veers toward folk horror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing artful shots of bugs in headlights in the early stages, he now goes all out with the full psychedelic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.

Game releases in British and Irish cinemas from 17 November.

The writer

Karen Roberts

Urban planner and writer passionate about sustainable cities and community engagement, sharing experiences from global travels.

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